U.Oberlack, 2018, Illumination and Emanation: Re-viewing Light as Body Adornment and the Implications of Wearable Light, ASA18 Sociality, matter, and the imagination: re-creating anthropology, University of Oxford.

U.Oberlack, T. Lloyd Jones, 2016, Brain Waves, exhibition catalogue, Central Saint Martins, University of the Arts London.

U.Oberlack, P. Close, 2015, The Intelligent Optimist, exhibition catalogue, Central Saint Martins, University of the Arts London.

Collet, A. Smith, U. Oberlack, Restless Futures, 2014, exhibition catalogue, Central Saint Martins, University of the Arts London.

U.Oberlack, 2012 I+E Illumination and Emanation – Light as Body Adornment and the Implications of Wearable Light, University of the Arts London, London.

S.Fraser, E.Wright, U.Oberlack, 2010, Trends & Traditions; Negotiating Different Cultural Models in relation to Craft and Artisan Production, LeNS Conference: Sustainability in Design: NOW! Challenges and Opportunities for Design Research, Education and Practice in the XXI Century, Srishti School of Art, Design and Technology, Bangalore, India in co-ordination with Politecnico di Milano, Milan, Italy. Conference proceedings

Ceschin, F., Vezzoli, C., Zhang, J. (2010) (eds.). Practice-based research outcomes also presented through Craft Lux – Collaborations between Design and Craft, exhibition, Bungalow 8, Mumbai, India.

U.Oberlack, 2005 I+E Illumination and Emanation – Light as Body Adornment, Wearable Futures: Hybrid Culture in the Design and Development of Soft Technology, University of Wales, Newport, United Kingdom. In conjunction with video work commissioned by the conference conveners. Proceedings on DVD ISBN 1-899274-34-0.